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    It's a regular Jackson Pollock painting :)

    Some of My Favorite Poems....


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    I just thought I'd share a few favorites. This one is Wallace Stevens' "Sunday Morning." It's about the struggle for a genuine spirituality in the preconceived molds of organized religion. Is Heaven somewhere far away, or is it here and now? What good is a faith based on vague notions and esoteric hints? This poem has had a tremendous impact on me, and if you replaced 'her' and 'she' with 'him' and 'he,' it would describe my religious experiences perfectly. Enjoy!

    "Sunday Morning," by Wallace Stevens

    I

    1Complacencies of the peignoir, and late
    2Coffee and oranges in a sunny chair,
    3And the green freedom of a cockatoo
    4Upon a rug mingle to dissipate
    5The holy hush of ancient sacrifice.
    6She dreams a little, and she feels the dark
    7Encroachment of that old catastrophe,
    8As a calm darkens among water-lights.
    9The pungent oranges and bright, green wings
    10Seem things in some procession of the dead,
    11Winding across wide water, without sound.
    12The day is like wide water, without sound,
    13Stilled for the passing of her dreaming feet
    14Over the seas, to silent Palestine,
    15Dominion of the blood and sepulchre.

    II

    16Why should she give her bounty to the dead?
    17What is divinity if it can come
    18Only in silent shadows and in dreams?
    19Shall she not find in comforts of the sun,
    20In pungent fruit and bright, green wings, or else
    21In any balm or beauty of the earth,
    22Things to be cherished like the thought of heaven?
    23Divinity must live within herself:
    24Passions of rain, or moods in falling snow;
    25Grievings in loneliness, or unsubdued
    26Elations when the forest blooms; gusty
    27Emotions on wet roads on autumn nights;
    28All pleasures and all pains, remembering
    29The bough of summer and the winter branch.
    30These are the measures destined for her soul.

    III

    31Jove in the clouds had his inhuman birth.
    32No mother suckled him, no sweet land gave
    33Large-mannered motions to his mythy mind.
    34He moved among us, as a muttering king,
    35Magnificent, would move among his hinds,
    36Until our blood, commingling, virginal,
    37With heaven, brought such requital to desire
    38The very hinds discerned it, in a star.
    39Shall our blood fail? Or shall it come to be
    40The blood of paradise? And shall the earth
    41Seem all of paradise that we shall know?
    42The sky will be much friendlier then than now,
    43A part of labor and a part of pain,
    44And next in glory to enduring love,
    45Not this dividing and indifferent blue.

    IV

    46She says, "I am content when wakened birds,
    47Before they fly, test the reality
    48Of misty fields, by their sweet questionings;
    49But when the birds are gone, and their warm fields
    50Return no more, where, then, is paradise?"
    51There is not any haunt of prophesy,
    52Nor any old chimera of the grave,
    53Neither the golden underground, nor isle
    54Melodious, where spirits gat them home,
    55Nor visionary south, nor cloudy palm
    56Remote on heaven's hill, that has endured
    57As April's green endures; or will endure
    58Like her remembrance of awakened birds,
    59Or her desire for June and evening, tipped
    60By the consummation of the swallow's wings.

    V

    61She says, "But in contentment I still feel
    62The need of some imperishable bliss."
    63Death is the mother of beauty; hence from her,
    64Alone, shall come fulfilment to our dreams
    65And our desires. Although she strews the leaves
    66Of sure obliteration on our paths,
    67The path sick sorrow took, the many paths
    68Where triumph rang its brassy phrase, or love
    69Whispered a little out of tenderness,
    70She makes the willow shiver in the sun
    71For maidens who were wont to sit and gaze
    72Upon the grass, relinquished to their feet.
    73She causes boys to pile new plums and pears
    74On disregarded plate. The maidens taste
    75And stray impassioned in the littering leaves.

    VI

    76Is there no change of death in paradise?
    77Does ripe fruit never fall? Or do the boughs
    78Hang always heavy in that perfect sky,
    79Unchanging, yet so like our perishing earth,
    80With rivers like our own that seek for seas
    81They never find, the same receding shores
    82That never touch with inarticulate pang?
    83Why set the pear upon those river banks
    84Or spice the shores with odors of the plum?
    85Alas, that they should wear our colors there,
    86The silken weavings of our afternoons,
    87And pick the strings of our insipid lutes!
    88Death is the mother of beauty, mystical,
    89Within whose burning bosom we devise
    90Our earthly mothers waiting, sleeplessly.

    VII

    91Supple and turbulent, a ring of men
    92Shall chant in orgy on a summer morn
    93Their boisterous devotion to the sun,
    94Not as a god, but as a god might be,
    95Naked among them, like a savage source.
    96Their chant shall be a chant of paradise,
    97Out of their blood, returning to the sky;
    98And in their chant shall enter, voice by voice,
    99The windy lake wherein their lord delights,
    100The trees, like serafin, and echoing hills,
    101That choir among themselves long afterward.
    102They shall know well the heavenly fellowship
    103Of men that perish and of summer morn.
    104And whence they came and whither they shall go
    105The dew upon their feet shall manifest.

    VIII

    106She hears, upon that water without sound,
    107A voice that cries, "The tomb in Palestine
    108Is not the porch of spirits lingering.
    109It is the grave of Jesus, where he lay."
    110We live in an old chaos of the sun,
    111Or old dependency of day and night,
    112Or island solitude, unsponsored, free,
    113Of that wide water, inescapable.
    114Deer walk upon our mountains, and the quail
    115Whistle about us their spontaneous cries;
    116Sweet berries ripen in the wilderness;
    117And, in the isolation of the sky,
    118At evening, casual flocks of pigeons make
    119Ambiguous undulations as they sink,
    120Downward to darkness, on extended wings.
    "Where there is love, there is life, And where there is life, there is hope, (There is hope...), And in hope we find the sight to see
    The essence of divinity
    " - The Cruxshadows, "Defender."
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  2. #2
    Night Chameleon. UntoldGlory has a spectacular aura about UntoldGlory has a spectacular aura about UntoldGlory has a spectacular aura about UntoldGlory's Avatar
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    It's a regular Jackson Pollock painting :)
    From T.S. Eliot's "Choruses from 'The Rock'":

    The Eagle soars in the summit of Heaven,
    The Hunter with his dogs pursues his circuit.

    O perpetual revolution of configured stars,

    O perpetual recurrence of determined seasons,

    O world of spring and autumn, birth and dying

    The endless cycle of idea and action,
    Endless invention, endless experiment,
    Brings knowledge of motion, but not of stillness;
    Knowledge of speech, but not of silence;
    Knowledge of words, and ignorance of the Word.
    All our knowledge brings us nearer to our ignorance,
    All our ignorance brings us nearer to death,
    But nearness to death no nearer to GOD.
    Where is the Life we have lost in living?
    Where is the wisdom we have lost in knowledge?
    Where is the knowledge we have lost in information?
    The cycles of Heaven in twenty centuries
    Bring us farther from GOD and nearer to the Dust.
    "Where there is love, there is life, And where there is life, there is hope, (There is hope...), And in hope we find the sight to see
    The essence of divinity
    " - The Cruxshadows, "Defender."
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